To say we’ve been living for the 2024 Cannes Film Festival would be understatement of epic proportions. The glitzy resort town down on the Côte d’Azur has been playing host to cinema stars, outstanding filmmakers and legends of the industry since Tuesday, May 14 and the past two weeks have been a total fashion fest. Tonight, the highly-anticipated closing ceremony took place, along with the presentation of the event’s top award – the Palme d’Or. Since the spectacular opening ceremony, a plethora of A-list attendees have been dressed to the nines wearing jaw-dropping creations from the world’s most prestigious couture houses, with a select few ascending the steps of the Palais des Festivals et des Congrès opting to unearth some absolute beauties from the archives.

From Elle Fanning walking the red carpet in a billowing caftan from Sabato De Sarno’s recently-unveiled Cruise 2025 collection for Gucci to Greta Gerwig bringing true Hollywood glamour to Cannes in a midnight blue confection from Hedi Slimane at Celine – here’s theFashionSpot’s best looks from the closing ceremony of the 2024 Cannes Film Festival:

Elle Fanning:

Ana Girardot:

Simone Ashley:

Andie MacDowell:

Emmanuelle Béart:

Eva Green:

Mary Leest:

Raline Shah:

Viola Davis:

Joey King:

Mikey Madison:

Ikram Abdi:

Demi Moore:

Isabeli Fontana:

Jessica Wang:

Lily Gladstone:

Greta Gerwig:

Pritika Swarup:

The post All the Best Looks From the 2024 Cannes Film Festival Closing Ceremony appeared first on theFashionSpot.

The 2024 77th Annual Cannes Film Festival is still ablaze down on the French Riviera, with the glitzy resort town having hosted a whole multitude of cinema stars, outstanding filmmakers and legends of the industry since Tuesday, May 14 (and the highly-anticipated closing ceremony is set to take place tomorrow). To say the past few days have provided an absolute masterclass in red carpet dressing would be an understatement. Many of the A-list attendees have adored the iconic Cannes Film Festival red carpet in ultra-glamorous creations from the world’s most prestigious couture houses, while some (like Naomi Campbell) have unearthed looks from the archives.

From Bella Hadid proving to be the ultimate queen of Cannes donning a dramatic black Versace gown from the Italian fashion house’s Spring 2001 couture collection to this year’s jury president Greta Gerwig ascending the steps of the Palais des Festivals et des Congrèso having a full-on Barbiecore moment dressed in a Balenciaga couture confection – here’s even more standout style moments from the 2024 Cannes Film Festival:

Andie MacDowell:

Bérénice Bejo:

Helen Mirren:

Taís Araújo:

Ariadna Gutiérrez:

Emmanuelle Béart:

Yilan Hua:

Bella Hadid:

Joey King:

Lily Gladstone:

Leonie Hanne:

Greta Gerwig:

Adèle Exarchopoulos:

Camille Cottin:

Dy Miryan:

Izabel Goulart:

Catherine Deneuve:

Maïmouna Doucouré:

Aja Naomi King:

Kathrine Langford:

Dayle Haddon:

Coco Rocha:

Carmella Rose:

Celina Locks:

The post Here’s Even More Standout Style Moments From the 2024 Cannes Film Festival appeared first on theFashionSpot.

Subsequent to being installed as head of editorial content at Vogue Italia, Francesca Ragazzi has undoubtedly made an effort to support and champion homegrown talent. A whole new generation of Italian models graced the February issue while the likes of Benedetta Porcaroli, Matilda De Angelis, Vittoria Ceretti, Donatella Versace and Chiara Ferragni have covered the Italian fashion bible throughout Ragazzi’s tenure. For Vogue Italia’s digital offering for June 2024, Laura Pausini makes an appearance via the lens of Sebastián Faena. The celebrated Italian singer-songwriter poses on the cover to commemorate her 50th birthday, and strikes a pose beofre Faena’s lens wearing a look from Peter Hawkings’ debut Tom Ford collection for Spring 2024.

Read below the reactions of theFashionSpot’s forum members:

“Good god, I can’t even look at Vogue Italia anymore,” cried out aracic.

“This team is clueless, not worthy of our comments anymore,” declared an unamused ah ah.

“Poor Laura,” shrieked Alquimista, also suggest the shoot wasn’t up to scratch.

Xone wasn’t buying it either, expressing: “I’m sure a local talent would’ve made this much much better!”

“I am not familiar with Laura Pausini’s music but from photos she seems to be photogenic and have great style. Nsure how they ended up with that cover,” Urban Stylin chimed in.

” She should have stared deeply into the camera and it would’ve been a good cover,” shared oaklee91.

Yet not everyone was so disappointed. “No clue who Laura Pausini is, and at first glance I thought this was Béatrice Dalle. Quite like the cover though, by no means is it the worst Vogue Italia cover I’ve came across and I like the sense of retro I’m getting from it,” defended vogue28.

Share your very own thoughts on Laura Pausini as Vogue Italia’s June 2024 digital cover girl and join the conversation, here.

The post Laura Pausini Poses for Sebastián Faena as Vogue Italia’s Digital Cover Star for June 2024 appeared first on theFashionSpot.

In a bid to evoke Louis Vuitton’s spirit of travel, Nicolas Ghesquière transported the fashion pack to Barcelona (the cosmopolitan capital of Spain’s Catalonia region) to present his Cruise 2025 collection. A handful of Vuitton brand ambassadors (including Ana de Armas, Sophie Turner and Lous and the Yakuza) were dotted along the front row, bearing witness to the French designer’s tenth cruise collection as creative director. Ghesquière opted to showcase his latest within Barcelona’s majestic Park Güell. Shown within the captivating Hypostyle Room (designed by Antoni Gaudi), the architectural masterpiece provided the perfect backdrop for Ghesquière’s futuristic spin on resort wear, with sleek tailoring and voluminous proportions setting the tone for the 80s-inspired lineup. Infused with bold Spanish influences, the collection was rounded off with accessories of sculptural earrings, brooches and wide-brimmed Andalusian hats.

Read below the reactions of theFashionSpot’s forum members:

“I think Nicolas is probably the only creative director of a major fashion house who is having such a strong POV and vast imagination which allows him to bled his aesthetics into different meta-narratives. Great show, great accessories. He saved the day (again)!” [Olaffo]

“I enjoyed it a lot! It was excess, very much close to the 80s. You can sense the Spanish references being mixed up with NG’s taste. For me, Ghesquière really managed to establish a precise silhouette for the LV women and just playing with fabrics, colors etc now and I love it: a real exercise of style.” [GivenchyAddict]

“I really enjoyed it. Not as precise and directional as the recent Shanghai show, but still miles ahead compared to what else is out there.” [j02215]

“Fantastic soundtrack! I love the dramatic allure of the opening looks, very Serge Lutens meets Carmen Sandiego. I loved the oversized blouson dress in ostrich, the little black sleeveless dress that came after with the dramatic collar, the simple black jumpsuit and the B&W look after. Very simple, fluid and timeless.” [Lola701]

“This was so disappointing, to be honest. I had high expectations when I saw the location being announced, and expected a lot more color and vibrancy given that it was being shown in an environment designed by Gaudi. Why was it so monotone? Also when will his obsession with the 80s be over? It’s getting so repetitive and boring at this point.” [Frederic01]

“The show was acceptable but too heavy sometimes. I wish we could see a lighter Ghesquière, less 80s inspired.” [Creative]

See all the looks from the Louis Vuitton Cruise 2025 collection and join the conversation, here.

The post Forum Members Review Nicolas Ghesquière’s Barcelona-Staged Louis Vuitton Collection for Cruise 2025 appeared first on theFashionSpot.

You can imagine our excitement and complete bewilderment, subsequent to a slew of deeply unimpressive covers starring Solange Knowles, Lana Del Rey and Leanne de Haan over recent months, when covers of Harper’s Bazaar with Regina King, Anok Yai and Christy Turlington began to rock our world. It appears, however, things are back to square one with the unveiling of Bazaar‘s depressing and lifeless-looking double June/July 2024 cover. Samira Nasr welcomes Emma Corrin as cover star for the occasion, who captured by photographer Sam Rock, is dressed by the mag’s newly-installed style director Carlos Nazario in a Miu Miu vest top and briefs (Miu Miu being, of course, a brand to which Corrin is brand ambassador).

Read below the reactions of theFashionSpot’s forum members:

“This? After Regina and Anok’s successful covers? No, thank you,” crmsn immediately disapproved.

“Honestly, I was rooting so hard for American Harper’s Bazaar. I see we’re back to square one here. Dumbfounded over Samira Nasr expecting people to part with their hard-earned money for such an abysmal cover. Where’s the allure? Where’s the charm?” asked vogue28.

MModa wasn’t buying it either, declaring: “This dud of a cover sums up the editor’s aesthetic.”

Also deeply unimpressed was NYLA22, voicing: “When I see covers like this, it makes me think that editors are making magazines for themselves. Harper’s Bazaar is a mass, mainstream fashion publication and I don’t really know who this is for!”

“Was really hoping that woke fashion mag covers were finally behind us. Guess not,” sighed Handbag Queen.

“Honestly with a different look, it could have been lovely. This dull beige Miu Miu set is not helping,” commented forum member GivenchyAddict.

See more of Emma Corrin via the lens of Sam Rock for Harper’s Bazaar June/July 2024 and share your thoughts, here.

The post Emma Corrin on the June/July 2024 Cover of Harper’s Bazaar Simply Could Not Be More Underwhelming… appeared first on theFashionSpot.

Here on theFashionSpot, we’re always down for being completely enthralled and bewitched by a magazine which doesn’t stimulate our interest on the regular. This month, London-based biannual title Marfa Journal has our undivided attention, as the publication’s editor and founder Alexandra Gordienko welcomes Agyness Deyn back into the fold, fresh from an appearance at Burberry’s Fall 2024 showcase during London Fashion Week. Gordienko, a Central Saint Martin’s graduate who founded Marfa Journal in 2013, commissioned forum favorite Ethan James Green to document the British model, with the Issue 21’s cover shoot complete with styling from Emma Alix Wyman. Deyn strikes a handful of poses within Green’s studio in the dynamic cover shot, prancing about in an all-black look from Nicolas Ghesquière’s Spring 2024 Louis Vuitton collection.

Read below the reactions of theFashionSpot’s forum members:

“Oh, Ethan! Giving us what Steven Meisel won’t, I guess. Fabulous,” heralded aracic.

“Vogue could never. Absolutely loving this, easily one of the best covers/fashion shoots I’ve come across this whole entire month. Wonderful to see Agyness Deyn and I will always be down for Ethan James Green doing his best Steven Meisel impersonation,” vogue28 enthused.

Also equally as impressed was Scotty: “I love it. The Meisel treatment with actual proper models! We need Snejana Onopka by EJG now!”

“I’m happy to see Agyness Deyn back and it’s no novelty that EJG is following on Meisel’s footsteps in terms of photography,” noted WAVES.

“So happy to see Agyness back,” Bertrando3 heralded.

Not everyone, however, was so forthcoming. “I could never warm up to Agyness when she was happening. Something about her just annoys me and I can’t figure out what it is,” shared Cocteau Stone.

See more of Agyness Deyn as Marfa Journal‘s latest cover star and join the conversation, here.

The post Ethan James Green and Agyness Deyn Team Up for Issue #21 of Marfa Journal appeared first on theFashionSpot.

You’re about to see a whole lot more of Kate Moss down at your local newsstand. After all, the powers that be at Condé Nast are making full use of their recent fashion story with the iconic Brit model, from the pages of British Vogue‘s May 2024 installment. Said shoot, lensed by Nikolai von Bismarck, has since turned up on the covers of Vogue Germany, Vogue Taiwan and now Vogue Japan. As opposed to her German and Taiwanese counterparts who opted for a photograph of Kate in full-color, Japanese Vogue‘s Tiffany Godoy selected a black and white shot the current face of Fendi, Balenciaga and Anine Bing for June 2024. In the classic and timeless portrait, Moss (who appeared on the magazine’s inaugural issue for September 1999 and was last on the cover in April 2012) is dressed by Kate Phelan in Chanel.

Read below the reactions of theFashionSpot’s forum members:

“My favorite of the [recent] Kate Moss covers,” instantly approved kokobombon.

“I’ve found all three covers of Vogue with Kate by Nikolai von Bismark to be solid. One of the very rare occasions in which I’m able to stomach Condé Nast’s shared content strategy. I love the look of this, can appreciate the use of the black and white and the soft lilac masthead which complements the shot beautifully. It’s all just so well done,” commended vogue28.

Also an admirer was forum member jeremydante: “This is pretty. I love this angle and the hair.”

Not everyone, however, with in agreement. “I see they went for a painting instead of a photo. Creative,” voiced Alquimista, suggesting some serious post-production has occurred.

“I miss the old Vogue Japan/Nippon,” sighed MON.

Are you a fan? Share your thoughts on Kate Moss as Vogue Japan’s June 2024 cover girl, here.

The post 12 Years Later, Kate Moss Makes a Return to the Cover of Vogue Japan for June 2024 appeared first on theFashionSpot.

Tonight, amid the fabulousity and sheer splendor of the Cannes Film Festival, the stars from the world of fashion, film and beyond have flocked to the Hôtel du Cap-Eden-Roc on the Côte d’Azur to attend the 2024 amfAR Gala. The glitzy event marks 30 years of helping raise funds for aids research, with last year’s event raising a staggering $17 Million. Naturally, such an event calls for the A-list of the A-list to be in attendance and there was zero shortage of glitz, glamour and show-stopping fashion moments as the attendees walked the red carpet.

From this year’s amfAR Gala host Demi Moore taking the plunge in a custom Jonathan Anderson for Loewe creation to Natasha Poly resurrecting one of the metallic dresses from Dolce & Gabbana’s Fall 2007 collection – scroll further for theFashionSpot’s must-see looks from the 2024 amfAR Gala Cannes:

Heidi Klum:

Demi Moore:

Elsa Hosk:

Leni Klum:

Ikram Abdi:

Winnie Harlow:

Alyda Grace:

Andie MacDowell:

Diane Kruger:

Kelly Rowland:

Coco Rocha:

Carine Roitfeld:

Maria Borges:

Natasha Poly:

Leomie Anderson:

Toni Garrn:

Karolina Kurkova:

Petra Němcová:

Yilan Hua:

Julia Restoin Roitfeld:

Michelle Rodriguez:

Michelle Yeoh:

Farretta:

Paris Jackson:

Bianca Balti:

Matea Brakus:

Léna Mahfouf:

Mariacarla Boscono:

Sasha Luss:

Barbara Palvin:

Isabeli Fontana:

Sofia Nikitchuk:

Peggy Gou:

Cher:

The post 34 of the Most Must-See Looks From the 2024 amfAR Gala Cannes appeared first on theFashionSpot.

Marc Jacobs stays switching it up when it comes to enlisting photographers for his various different advertising campaigns. Over recent seasons, everyone from Tyler Mitchell and Tyrone Levon to Juergen Teller and Harley Weir have been commissioned to lens campaign imagery for the designer’s eponymous brand. Added to the list with the unveiling of Jacobs’ latest is Carin Backoff. Shining a spotlight upon ‘The Sack Bag’ for Summer 2024, Jacobs endorses a whole plethora of personalities as the face and embodiment of the handbag that launched earlier this year. Sabrina Carpenter, Vittoria Ceretti, Irina Shayk, Anok Yai, Charli XCX and Gabriette make appearances throughout the vibrant and splashy campaign, each styled by Alastair McKimm and captured against a gray backdrop within Backoff’s photographic studio.

Read below the reactions of theFashionSpot’s forum members:

“Vittoria and Irina look great! Not sure about the panties, tho,” voiced justaguy.

“Love the photographs! Beautiful and minimal with a pop of hot, bright colors!” MModa admired.

Also very much a fan was vogue28: “The strongest Marc Jacobs campaign in what feels like forever! There’s a sense of life here, feels more… sultry and alive than recent Marc Jacobs campaigns. The casting is great, but would’ve just left it at Vittoria Ceretti, Irina Shayk and Anok Yai. Nevertheless, a thumbs up from me!”

“The girls look great but the products are not desirable…” scoffed forum member thiago.

KoV agreed, exclaiming: “Imagine getting this cast together just to hawk that bag!”

See more from Marc Jacobs’ Summer 2024 handbag advertising campaign and join the conversation, here.

The post Sabrina Carpenter, Irina Shayk, Anok Yai & Others Front Marc Jacobs’ Slack Handbag Campaign appeared first on theFashionSpot.

Right here on theFashionSpot, we’ve been praising the efforts of Vogue Brazil’s Paula Merlo to no end. After all, the magazine’s editor has made a solid attempt in supporting homegrown talents. Valentina Samoaio, Barbara Valente and Maria Klaumann have each graced covers over recent months. Merlo, however, is attempting to switch things up with unveiling of the 49th anniversary issue – welcoming an American model as cover girl. Give it up for Paloma Elsesser who graces a duo of delightful covers for May 2024, lensed by photographer Zee Nunes. Dressed by stylist Rita Lazzarotti, Elsesser (who already has covers of American Vogue, Vogue Mexico and M Le Magazine du Monde to name a few) is all smiles in the joyous first cover (below) wearing a Patricia Von Musulin jacket and a stack of Renata Buzzo bracelets. In the second alternative (after the jump), Paloma is decked out in a head-to-toe look from Dolce & Gabbana’s Spring 2024 collection.

Read below the reactions of theFashionSpot’s forum members:

“Vogue Brazil started the year very well, only to have a horrible cover for the anniversary edition,” cried out an underwhelmed caioherrero.

“Terrible covers from a terrible model,” Alquimista chimed in.

“Both of the photographs are not cover material. I think that Paloma looks quite good on the second cover but the tinfoil bed is just a terrible prop. Very weak covers for an anniversary issue,” added MModa.

In complete agreement was Alejandra Isami, echoing: “Kinda disappointing for their anniversary cover!”

Yet not everyone was left so disappointed. “The first cover is really beautiful. I love Paloma Elsesser’s expression, the styling and energy,” Wolkfolk reasoned.

“I’m able to appreciate the sense of joy the first cover radiates. I also love the head-to-toe Dolce & Gabbana on the second cover. However, for an anniversary issue, these are seriously lacking,” vogue28 critiqued.

See more of Paloma Elsesser as Vogue Brazil’s May 2024 cover girl and join the conversation, here.

The post Did Paloma Elsesser Deserve Better as Vogue Brazil’s 49th Anniversary Cover Girl? appeared first on theFashionSpot.